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The earliest feature-length movies with recorded sound included only music and effects.
Muybridge later claimed that on this occasion, six years before the first commercial motion picture exhibition, he proposed a scheme for sound cinema that would combine his image-casting zoopraxiscope with Edison's recorded-sound technology.
By the early 1930s, the talkies were a global phenomenon.
In the United States, they helped secure Hollywood's position as one of the world's most powerful cultural/commercial centers of influence (see Cinema of the United States).
Three major problems persisted, leading to motion pictures and sound recording largely taking separate paths for a generation.
The primary issue was synchronization: pictures and sound were recorded and played back by separate devices, which were difficult to start and maintain in tandem.
Sufficient playback volume was also hard to achieve.